Best Freelance Rotoscoping Studio Service for Los Angeles People:
We are group of ‘Freelance Rotoscoping Studio Service Provider for Los Angeles’ people. If you need any service regarding Rotoscoping you can “GET FREE QUOTE” by simply call us on Mobile/WhatsApp: +91-9599-257-351 | Email: hello [at] pixeledge.co | Contact Form and discuss your project with us.
but, If you are new to animation industry then read first
Let us explain you brief about what RotoScoping is?
Rotoscoping is an animation technique used by animators to trace over motion picture footage, frame by frame, when realistic action required. Originally, photographed live-action movie images projected onto a glass panel and re-drawn by an animator. This projection equipment referred to as a rotoscope, developed by Polish-American animator Max Fleischer. Although this device was eventually replaced by computers, the process is still referred to as rotoscoping.
In the visual effects industry, rotoscoping is the technique of manually creating a matte for an element on a live-action plate so it may be composited over another background.
‘Rotoscoping’ has often used as a tool for visual effects in live-action movies. By tracing an object, the moviemaker creates a silhouette (called a matte) that can used to extract that object from a scene for use on a different background. While blue and green screen techniques have made the process of layering subjects in scenes easier, rotoscoping still plays a large role in the production of visual effects imagery. Rotoscoping in the digital domain is often aided by motion tracking and onion-skinningsoftware. Rotoscoping is often used in the preparation of garbage mattes for other matte-pulling processes.
One classic use of traditional rotoscoping in the original three Star Wars movies, where it used to create the glowing lightsaber effect, by creating a matte based on sticks held by the actors. Rotoscoping has also used to allow a special visual effect (such as a glow, for example) to guided by the matte or rotoscoped line. To achieve this, effects technicians traced a line over each frame with the prop, then enlarged each line and added the glow.